#developer book

[lilydrafts]

The moment you decide you are worthy. The universe starts to agree.

[deception-united]

Writing Tips Master Post

Edit: Some posts may be deleted

Character writing/development:

Character Arcs

Making Character Profiles

Character Development

Comic Relief Arc

Internal Conflict

Character Voices

Creating Distinct Characters

Creating Likeable Characters

Writing Strong Female Characters

Writing POC Characters

Building Tension

Writing Grumpy x Sunshine Tropes

Writing Sexuality & Gender

Writing Manipulative Characters

Writing Mature Young Characters

Plot devices/development:

Intrigue in Storytelling

Enemies to Lovers

Alternatives to Killing Characters

Worldbuilding

Misdirection

Things to Consider Before Killing Characters

Foreshadowing

Narrative (+ how to write):

Emphasising the Stakes

Avoid Info-Dumping

Writing Without Dialogue

1st vs. 2nd vs. 3rd Perspective

Fight Scenes (+ More)

Transitions

Pacing

Writing Prologues

Dialogue Tips

Writing War

Writing Cheating

Writing Miscommunication

Writing Unrequited Love

Writing a Slow Burn Btwn Introverts

Writing Smut

Writing Admiration Without Attraction

Writing Dual POVs

Writing Unreliable Narrators

Worldbuilding:

Worldbuilding: Questions to Consider

Creating Laws/Rules in Fantasy Worlds

Book writing:

Connected vs. Stand-Alone Series

A & B Stories

Writer resources:

Writing YouTube Channels, Podcasts, & Blogs

Online Writing Resources

Outlining/Writing/Editing Software

Translation Software for Writing

Writer help:

Losing Passion/Burnout

Overcoming Writer's Block

Fantasy terms:

How To Name Fantasy Races (Step-by-Step)

Naming Elemental Races

Naming Fire-Related Races

How To Name Fantasy Places

Ask games:

Character Ask Game #1

Character Ask Game #2

Character Ask Game #3

Miscellaneous:

Writing Tips

Writing Fantasy

Miscommunication Prompts

Variety in Sentence Structure (avoiding repetition)

[luna-azzurra]

Romantic Gestures for Characters 

❥ The “I Know You” Gesture

Your character remembers something tiny. Maybe their partner always peels oranges but hates the stringy bits. So they do it for them, meticulously. No grand speech. Just peeled oranges on a napkin, handed over like, I got you. It’s not flowers. It’s better.

❥  The “You Matter More Than My Ego” Move

Apologies. Vulnerable, awkward, ugly ones. Not performative, not flowers-as-a-bandage. Just a raw, honest “I screwed up. And you didn’t deserve that.” That’s romance with guts.

❥ The “I Made This With My Clumsy, Lovesick Hands” Attempt

It’s not a five-star meal. It might be an overcooked mess. But they tried. They Googled recipes, burnt a pan, and still showed up with a crooked smile and a smoke-scented apology. Intimacy lives in the effort, not the execution.

❥  The “I’m Thinking of You Even When You’re Not Around” Habit

A voice memo left in the middle of the day. A text that says, “I saw this book and thought of you.” A saved pastry because “you love those stupid lemon ones.” It’s in the thought, the noticing. The I-carry-you-with-me-even-here of it.

❥  The “You’re Safe With Me” Moment

Middle of a panic attack. They don’t run, they don’t fix. They sit. Hold a hand. Count breaths. They become a lighthouse in the fog. That’s not just romance, it’s sanctuary.

❥ The “Make You Laugh When You Want to Cry” Trick

Silly voices. Bad dad jokes. A spontaneous dance in the kitchen just to make them smile. Love doesn’t always whisper—it cackles, snorts, belly-laughs until you can’t remember what the fight was about.

❥ The “I See the You Nobody Else Gets to See” Love

Noticing the nervous tic they try to hide. The quiet resilience. The softness behind the sarcasm. Your character sees it all and chooses to love them there. Not despite their mess, but because of it.

❥  The “I’ll Go to the Boring Thing Because You Care” Sacrifice

They hate art galleries. Or jazz. Or your character’s weird book club full of PhD students. But they show up. They try. They listen and maybe even ask a thoughtful question. Not because they suddenly love postmodern fiction, but because they love you.

❥ The “Let Me Take Care of You, Just This Once” Flip

Especially powerful when it comes from your fiercely independent character. When they finally let someone in. Accept help. Rest their head on a lap and let themselves be held. Or be the one doing the holding for someone who never asks.

❥  The “I Want to Remember This” Gesture

No, not just a scrapbook. Maybe it's saving movie stubs, or voice recording a partner’s laugh because it's perfect and might not last. Maybe it's writing a poem they'll never read. Romance often lives in what we keep sacred, quietly.

❥ Bonus — The Non-Obvious Public Gesture

Holding hands in public when your character usually doesn’t. Or kissing their partner’s temple in front of their disapproving parents. Or calling them “baby” when it makes their partner smile like a fool. Public affection isn’t about performance, it’s about pride. Claiming someone. Softly, fiercely.

[girlwithrituals]

RECLAIMING DISCIPLINE CAN LOOK LIKE:

• keeping small + manageable promises to yourself daily

• healing your attention span (ex: reading books, watching movies without scrolling, letting yourself be bored)

• moving from "I'll try" to "I will"

• reframing pain + difficulty as often where the growth happens

• showing up as the person you want to be

• making mindful & nourishing choices VS choices that result in instant gratification

[smart-macademia]

the key to surviving grad school (also maybe life but definitely grad school) is to pick a side quest every few months or so. something that brings you joy and that you can get better at over time, independent of whether or not your research or classes are going well. put your need for academic validation to use in a non-academic setting and everything will feel less dire and you will learn you are more than your work

[the-joy-of-knowledge]

25 Laws of power for women

Conceal your goals especially the ones that are appealing. Losing weight, reinventing yourself, marrying wealthy. Instead talk about your altruistic goals - to help children, invest in education, this will chase insecure people with vile intentions.

Do not give anyone your source of power: Was is a book that changed your life? a mentor? a movie? Never give up your secret to success. If forced to do say allude to God, the universe, the a random phenomenon

Use the patriarchy to your favor; we live in a world that is, only associate with men who have power, use that power for good.

Never appear too perfect but be selectively vulnerable when needed. Only share something that you will be comfortable saying. You might say “I forget my keys all the time,” “I don’t know how to perfectly park a car “. But never disclose something you are not comfortable with just because you are afraid of being perfect.

Maintain distance in relationships. Friends are the best and you need them. But if you feel that they are becoming too dependent, see them at your own will. But also the reverse could be the case. Your friend may keep a distance, and that is the way of life. You have got to move on from it.

Develop your own style that makes you unique, beautiful, and elegant. Avoid trying to fit in the crowd of people who claim to care less about their style yet have too many opinions about other women’s style

Avoid male friends at all cost, you will have male colleagues, male bosses, male acquaintances, business partners. Keep it that way. You do not want a Truman Capote divulging your secrets to the world. Do not keep a man who does not fit your standard.

You do not have to win at every game. Pick and choose what is best for you and leave room for others. And step down if you have attained that level of success, do not let the society do it for you.

Trust people but remember that we are all humans. So trust with discretion!

Confuse people with kindness; people are not always comfortable with beautiful and intelligent women. That power is too intimidating so confuse them by being genuinely generous, curious, kind, and passionate.

Keep your strong opinions to yourself.. if you support a movement, a way of life, do so silently.

We all have dirty laundry, wash them privately, don’t expose yourself. Remain silent when people try to attack you or shame you. Whatever is not confirmed is not true. You are the only one who knows all the truth about you.

Don’t attract pity or praise: People who pity you do not help you, in fact they might think that you are weak and could mock you at their annual gossipping meeting. And if you are doing things for the sake of praise you are wasting your time.

Choose yourself all the time; never put any one’s feelings above yours.

Trust your own intuition if you feel someone is being malicious towards you, giving you back handed compliments then you should let them go

Never speak bad of another woman. Do not lazy around gossipping. Keep your hands clean and your conscience clear.

Avoid women with low self esteem they will bring you down. For some reason they do not like seeing other women who are doing better than them

Be careful who you seek validation from. Not everyone needs to be pleased. If they are in no way capable of contributing to your life in the ways you prefer, then don’t ask them for their opinions or please them.

Do not compete with other women, if you do you are only putting them on a pedestal. You are making the the standard by which you measure your progress. If you do compete, begin digging your grave.

Do not give unsolicited advice, do not share the inner workings of your mind, If your mouth is very charitable you better start journaling.

Be well-rounded and interesting. It attracts people. It also keeps you busy because you are continually improving and learning. An idle mind is an easily subdued one.

Avoid women who want to live vicariously through you; they want to know who you know, shop where you shop, befriend who you befriend, wear what you wear.

Pay attention to the source of your discomfort; get rid of them. You tell them your dreams and they remind you of all your hindrances. They ask why are you dressed so fancy as though fancy isn’t subjective. They undermine you interests and goals. They will also be quick to bring you down because they are afraid of your potential.

Do not fear power or please power. When we see powerful people we try to hard to befriend them, to be close to them but you need to be comfortable without them. Don’t push yourself in the name of friendship, do not try too hard to be in their inner circle. Your independence of mind is the most important. Instead become a powerful woman, aloof to the presence of power but aware of its importance. Be an ingenious and intelligent and use your creativity to uplift yourself. When you do so it will be hard to ignore you. Even the powerful will become an ally.

Enjoy moments of solitude. Use that time to develop yourself, improve your body, learn new skills, create with your mind, read widely, become more elegant, then launch yourself.

Remember the most powerful women are the most intelligent. Inspired by Robert Greene's 48 Laws of Power. Use at your discretion.

[thenomadicquill]

Your Protagonist is a Liar. If your story follows only the main character, we see things how they see them. A main character is an unreliable storyteller, if they mean it or not. We, just like the MC, aren't in other characters' minds. So, moments are misinterpreted. Your main character sees the world through their own biases. We only know the main character's impressions of the side characters, and the villains. We read only their perception of these characters.

That doesn't make them a villain, its normal. It's realistic and purely understandable. They can't fill gaps of information simply because they weren't there. So, they make assumptions, they make judgements, they remember things incorrectly. Memory isn't perfect, details are changed or forgotten. It's only natural.

Let your protagonist lie. Maybe they don’t even realize they’re doing it. Maybe they do. See what happens.

[physalian]

How To Make Your Writing Less Stiff 5

Movement

Dredging this back up from way back.

Make sure your characters move, but not too much during heavy dialogue scenes. E.g. two characters sitting and talking—do humans just stare at each other with their arms lifeless and bodies utterly motionless during conversation? No? Then neither should your characters. Make them…

Gesture

Wave

Frown

Laugh

Cross their legs/their arms

Shift around to get comfortable

Pound the table

Roll their eyes

Point

Shrug

Touch their face/their hair

Wring their hands

Pick at their nails

Yawn

Stretch

Sniff/sniffle

Tap their fingers/drum

Bounce their feet

Doodle

Fiddle with buttons or jewelry

Scratch an itch

Touch their weapons/gadgets/phones

Check the time

Get up and sit back down

Move from chair to tabletop

The list goes on.

Bonus points if these are tics that serve to develop your character, like a nervous fiddler, or if one moves a lot and the other doesn’t—what does that say about the both of them? This is where “show don’t tell” really comes into play.

As in, you could say “he’s nervous” or you could show, “He fidgets, constantly glancing at the clock as sweat beads at his temples.”

This site is full of discourse on telling vs showing so I’ll leave it at that.

Epithets

In the Sci-fi WIP that shall never see the light of day, I had a flashback arc for one male character and his relationship with another male character. On top of that, the flashback character was a nameless narrator for Reasons.

Enter the problem: How would you keep track of two male characters, one who you can't name, and the other who does have a name, but you can’t oversaturate the narrative with it? I did a few things.

Nameless Narrator (written in 3rd person limited POV) was the only narrator for the flashback arc. I never switched to the boyfriend’s POV.

Boyfriend had only a couple epithets that could only apply to him, and halfway through their relationship, NN went from describing him as “the other prisoner” to “his cellmate” to “his partner” (which was also a double entendre). NN also switched from using BF’s full name to a nickname both in narration and dialogue.

BF had a title for NN that he used exclusively in dialogue, since BF couldn’t use his given name and NN hadn’t picked a new one for himself.

Every time the subject of the narrative switched, I started a new paragraph so “he” never described either character ambiguously mid-paragraph.

Is this an extreme example? Absolutely, but I pulled it off according to my betas.

The point of all this is this: Epithets shouldn’t just exist to substitute an overused name. Epithets de-personalize the subject if you use them incorrectly. If your narrator is thinking of their lover and describing that person without their name, then the trait they pick to focus on should be something equally important to them. In contrast, if you want to drive home how little a narrator thinks of somebody, using depersonalizing epithets helps sell that disrespect.

Fanfic tends to be the most egregious with soulless epithets like "the black-haired boy" that tell the reader absolutely nothing about how the narrator feels about that black-haired boy, espeically if they're doing so during a highly-emotional moment.

As in, NN and BF had one implied sex scene. Had I said “the other prisoner” that would have completely ruined the mood. He’s so much more than “the other prisoner” at that point in the story. “His partner,” since they were both a combat team and romantically involved, encompassed their entire relationship.

The epithet also changed depending on what mood or how hopeless NN saw their situation. He’d wax and wane over how close he believed them to be for Reasons. NN was a very reserved character who kept BF at a distance, afraid to go “all in” because he knew there was a high chance of BF not surviving this campaign. So NN never used “his lover”.

All to say, epithets carried the subtext of that flashback arc, when I had a character who would not talk about his feelings. I could show you the progression of their relationship through how the epithets changed.

I could show you whenever NN was being a big fat liar about his feelings when he said he's not in love, but his narration gave him away. I could show you the exact moment their relationship shifted from comrades to something more when NN switched mid-paragraph from "his cellmate" to "his partner" and when he took up BF's nickame exclusively in the same scene.

I do the same thing in Eternal Night when Elias, my protagonist, stops referring to Dorian as "it" and "the vampire" instead of his name the moment they collide with a much more dangerous vampire, so jarringly that Elias notices in his own narration—the point of it being so explicit is that this degredation isn't automatic, it's something he has to conciously do, when everyone else in his clan wouldn't think twice about dehumanizing them.

—

Any literary device should be used with intent if you want those layers in your work. The curtains are rarely just blue. Whether it’s a simile with a deliberate comparison or an epithet with deliberate connotations, your readers will pick up on the subtext, I promise.

[helpallthenamesaretaken]

percy, aged 15: ....annabeth.....is sitting.....right next to me 😧 illegal😳😳 but.... i like it🤭??

percy, aged 16: OHMYGOD 😱😱 ANNABETH WHAT ARE YOU DOING IN MY ROOM 🤯 ????😨 MOM PICK ME UP I SMELL SCANDALOUS😳😳 IM NOT EVEN LOOKING GOOD EITHER😭😭😭 lord forgive ME😭........yeah im having fun 😁

percy, aged 17: *sound of lock breaking at 3am*.......hey girlfriend✌️ yeah no worries come in 🥱 next time, knock maybe? ill open the window for you myself, just dont wake me up....yep ly👍.......k this is slightly annoying by now but i still love it 🥰

[eternalsnowfan02]

OG meme under cut

[goodsniff]

CREATING BLUEY - Tales from the Art Director

Chapter 1 - How a 23 Year old gal from Brisbane ended up designing the world's most popular kids show

FREE on Substack

Ever wondered what exactly went on behind the scenes of making Bluey? How do you make the world’s most popular children’s television show? Well for the first time, you get to read about it. From someone who was there at the very beginning. 

I was the Lead Art Director on Bluey for Season 1. At the beginning of the production with direction from show creator Joe Brumm I designed the overall style of the show, the Heeler House and its interior rooms from scratch. 

For the next few weeks I’ll be publishing a four chapter behind the scenes look at my experience on Bluey. For the fans, this will be a look behind the curtain you’ve never gotten. And for my fellow and beloved animation workers: I’ll lay bare what the expectations and realities are of working on one of those ‘dream jobs’ in animation we all aspire to. A dream that I thought I was doomed to always have pass me by as a kid studying animation in somewhere as far flung as Brisbane, Australia. 

[lilydrafts]

Love yourself a little extra right now. You're creating the life of your dreams and you absolutely deserve it. It's about to get magical for you.

[egophiliac]

What do you like about the Diasomnia boys if I may ask?

I always love hearing about the different reasons people enjoy characters.

I mean, c'mon. he has split custody over Sebek okay

also, Lilia in particular has maybe the best timeskip character development of all time

[luna-azzurra]

Enemies to Lovers – Romantic Gestures That Could Burn Down a Kingdom (But Make You Swoon First)

Enemies to lovers isn’t just a trope. It’s a bloodsport. It's sharp words, lingering glances, and two people falling in love while pretending they're not. The gestures here are full of tension, denial, and drama. Because what’s hotter than someone who once wanted to destroy you now wanting to hold your hand?

╰ The “I Hate Everyone But You” Exception

They don’t do favors. Ever. But suddenly your character’s car is fixed, or their name is cleared, or someone suspiciously threatening has backed off. No explanation. Just, “Don’t read into it.” We’re reading into it. Hard.

╰ Bandaging the Wounds They Might Have Caused

Enemies fall in love while bleeding. One gets hurt—physically or emotionally—and the other is the one who stays behind. They patch the other up in silence, trying not to flinch at every touch. It’s a love language. A very stabby one.

╰ The Insult-That’s-Actually-a-Compliment

“You’re insufferable and reckless and… gods, you’re brilliant.” They can’t quite say “I’m in love with you,” so they wrap it in verbal barbed wire and hope you catch the truth beneath it.

╰  Fighting for Them Instead of with Them

When the enemy suddenly becomes your character’s fiercest defender. A verbal sparring match turns into: “You don’t get to talk about them like that.” Yes. That’s growth. That’s romance. That’s literary foreplay.

╰  The Reluctant Confession (aka Emotional Vomit)

It slips out. After a fight. Or in the rain. Or while one of them is bleeding and the other thinks they might lose them. “I don’t know when it happened, but I care. More than I should. More than I want to.”

╰ The Jealousy Meltdown

Watching someone else flirt with their former mortal enemy-turned-emotional-trauma-partner is agony. Cue the sulking, the sarcastic digs, or even a protective arm around the waist. “I thought you hated me.”, “I do. Just not when they’re looking at you like that.”

╰ Touch That Lingers

Accidental shoulder brushes. A hand that stays a second too long. Pulling them back by the wrist. They're not even sure when the touch went from "tactical" to tender. But we all felt it.

╰ Burnt Bridges, Rebuilt with Care

They say sorry. Maybe not directly. Maybe it’s “I didn’t mean it” or “You didn’t deserve that.” But for someone who used to only speak in daggers, that apology is a love letter in disguise.

╰ Sacrifice, the Ultimate Plot Twist

The character who swore they'd never care—who literally plotted the downfall of your protagonist—is now taking the hit. Protecting them. Giving something up. Choosing them. And not because it’s noble. Because they can’t stand the thought of losing them.

╰ The Kiss That Ends a War

When words fail, and emotions bubble over, and suddenly they’re grabbing each other like salvation. That kiss? That’s not just a kiss. That’s 100 pages of tension, regret, longing, and fury turned into a moment of surrender. (You know the one.)

[thejournallo]

Witchcraft Basics Masterlist!

Witchcraft Basics and Giggles:

Everything to know before you start! The various practices The Tools healing, protecting, and grounding. shielding and banishing herbs,oils and crystals.| Herbs | Oils | Crystals color magik the sabbats the Elements astrology + astrology calendar spells, hexes and curses energy manipulation the various entitis Divination tool Symbology Shadow Work Witchy hack Offerings Grimoire/book of shadows how to work with deities. (works with entities too) sigils. How to create a spell

more master lists!

[4theitgirls]

🧸 may 12 - may 18

moodboard for the week:

workouts for the week:

monday: 30 minute mobility

tuesday: 10 minute cardio + 20 minute pilates

wednesday: 40 minute yoga

thursday: 15 minute hiit + 25 minute stretch

friday: 20 minute cardio/full body + 20 minute mobility

saturday: 30 minute stretch

sunday: 15 minute cardio + 15 minute stretch

books for the week:

lady killers: deadly women throughout history by tori telfer

project hail mary by andy weir

as nature made him: the boy who was raised as a girl by john colapinto